Do you need help finding the right microphone? First, click one of the broader categories: Vocal, Instrument, or Other. Next, select from the sub-categories displayed beneath your selected category. You can click on any sub-category to find a listing of the best microphones for each application. Sort your list by model name or by price.
The AT4060a side-address large-diaphragm cardioid vacuum tube condenser microphone delivers vintage tube sound with the versatile performance for the most demanding studio applications.
Audio-Technica’s groundbreaking ribbon microphone offers smooth, warm, natural sound, outstanding durability, and phantom-powered active electronics.
This versatile side-address condenser offers selectable polar patterns, a warm vintage sound, low self-noise, a wide dynamic range and high SPL capability. Switchable 10 dB pad & 80 Hz high-pass filter.
The AT4050’s dual large-diaphragm design provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings.
Delivering the warmth and natural sound of a classic ribbon microphone, Audio-Technica’s AT4081 offers outstanding durability and phantom-powered active electronics in a low-profile stick design.
The AT4047/SV large-diaphragm cardioid condenser delivers a full low-frequency response and warm sonic characteristics reminiscent of early F.E.T. studio microphones.
This is the side-address studio condenser that broke the US$1000-barrier in its class. The classic edition of the legendary AT4033, the AT4033/CL is a studio classic and bluegrass favorite; fantastic on stage.
A blend of technical precision and artistic inspiration, the AT4040 large-diaphragm side-address studio condenser offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility.
Supplied with Audio-Technica’s UniMount® clip and new violin mount, the low-profile ATM350 is an exceptional cardioid condenser microphone designed to clip to brass, reeds, piano, snare, toms, and violin. Features an integral 80 Hz hi-pass filter.
The Artist Elite® AE5100 large diaphragm cardioid condenser instrument microphone provides uncompromising sound quality for overheads, percussion, acoustic instruments (particularly guitar and strings) and choirs.
The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. It offers a switchable 80 Hz high-pass filter and 10 dB pad and includes a shock mount & protective pouch.
The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the AT2020 and AT2021 deliver remarkable specs and superior build.
This large-diaphragm studio condenser with a switchable 80 Hz high-pass filter and 10 dB pad handles high sound pressure levels with ease. Includes a custom shock mount and protective pouch.
Designed for sax, toms, brass and percussion, the PRO 35 excels in high-SPL applications and is ideal for active stage performances. The included UniMount® clip permits accurate positioning and provides shock resistance while protecting the element.
The price/performance standard in side-address studio condenser microphone technology; ideal for project/home-studio applications. Pivoting, threaded stand mount included.
The ATM350a cardioid condenser clip-on microphone comes in six, specially designed systems that provide discreet, rock-solid mounting solutions for a host of instruments, including woodwinds, strings, brass, percussion, drums and piano. In addition to these complete microphone systems, the rugged UniMount® components and component systems are available separately,
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