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AE2500 Specification Sheet
pdf 101.77 KBAE2500 Submittal Sheet
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AE2500 Dual-element Cardioid Instrument Microphone
The ultimate kick-drum mic, the Artist Elite AE2500 dual-element instrument microphone features cardioid condenser and dynamic capsules combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form multiple densities over the dynamic element’s side-entry ports, exercising precise control over the time at which off-axis signals arrive at the diaphragm. The condenser diaphragm is optimally tensioned and aged for long-term consistency and stability.- Revolutionary dual-element design represents a ground-breaking transducer achievement
- Two elements (condenser and dynamic) are enclosed in a single housing
- Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell
- Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones
- Robust design for enduring dependability on the road
- Integral 80 Hz HPF switch and 10 dB pad on condenser element
- Includes isolation clamp for shock protection, secure mounting and easy positioning
- Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element
| SPECIFICATIONS | |
|---|---|
| ELEMENTS | Condenser, dynamic |
| POLAR PATTERN | Cardioid |
| FREQUENCY RESPONSE | 20-17,000 Hz (condenser)
30-10,000 Hz (dynamic) |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave (condenser) |
| OPEN CIRCUIT SENSITIVITY | -51 dB (2.8 mV) re 1V at 1 Pa (condenser)
-54 dB (1.9 mV) re 1V at 1 Pa (dynamic) |
| IMPEDANCE | 100 ohms (condenser)
600 ohms (dynamic) |
| MAXIMUM INPUT SOUND LEVEL | 148 dB SPL, 1 kHz at 1% T.H.D. (condenser);
158 dB SPL, with 10 dB pad (nominal) |
| DYNAMIC RANGE (typical) | 124 dB, 1 kHz at Max SPL (condenser) |
| SIGNAL-TO-NOISE RATIO | 70 dB, 1 kHz at 1 Pa (condenser) |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 3 mA typical (condenser) |
| SWITCHES | (Condenser Only) High-pass filter;
10 dB pad (nominal) |
| WEIGHT | 13.8 oz (390 g) |
| DIMENSIONS | 6.50" (165.0 mm) long,
2.17" (55.0 mm) maximum diameter |
| OUTPUT CONNECTOR | Integral 5-pin XLRM-type |
| CABLE | 16.5' (5 m) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors |
| ACCESSORIES FURNISHED | AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R8 |
| SPECIFICATION GRAPHS | ||
|---|---|---|
| Click on the chart to view the larger image | ||
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AE2500 Dual-element Cardioid Instrument Microphone
Overall ratingÂ
Rating breakdown 1 review
5 Stars
0
4 Stars
1
3 Stars
0
2 Stars
0
1 Star
0
ReliabilityÂ
4
/
5
Audio QualityÂ
5
/
5
DurabilityÂ
4
/
5
Ease of UseÂ
3
/
5
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1
1
The ultimate kick-drum mic, the Artist Elite AE2500 dual-element instrument microphone features cardioid condenser and dynamic capsules combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form multiple densities over the dynamic element's side-entry ports, exercising precise control over the time at which off-axis signals arrive at the diaphragm. The condenser diaphragm is optimally tensioned and aged for long-term consistency and stability.Overall ratingÂ
Rating breakdown 1 review
5 Stars
0
4 Stars
1
3 Stars
0
2 Stars
0
1 Star
0
ReliabilityÂ
4
/
5
Audio QualityÂ
5
/
5
DurabilityÂ
4
/
5
Ease of UseÂ
3
/
5
Share this product
Product Reviews
Overall ratingÂ
Great addition to the kit
PostedOctober 20, 2011
from Illinois
Environment:Studio
Expertise:Intermediate
How Long:Over a year
ReliabilityÂ
4
/
5
Audio QualityÂ
5
/
5
DurabilityÂ
4
/
5
Ease of UseÂ
3
/
5
Most audio engineers will reach for a Shure Beta 52A or an AKD D112, giving them a specific audio quality that each mic is known for. They are good mics, and that's why they're used around the world.
But what if you want a sound quality to your kick drum that provides more mid-high frequency tonal definition, but still has the low-end punch either of these mics have? What if you want sonic options on the sound of your kick, but need to lay down tracks and move on?
That's when I reach for my AE2500 kick mic. The dynamic element gives me excellent low-end definition without muddiness, and the condenser element gives me a response in the mid- to mid-high frequencies that help define a drum's characteristic.
With this mic and the infinite blending of its two signals, I can shape the sound of a kick drum to meet the needs of the tune.
Low, with a thud? No problem.
Clear and open with low frequency punch? No problem.
Clear and open with low frequency punch? No problem.
This mic, combined with a drummer who knows how to tune and muffle his kick drum, will give you any sound you want.
I rated the "Ease of Use" with 3 stars because it takes some experimenting and finessing to understand the sonic qualities of each signal.
Pros kick drum recording
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AE2500 : Dual-element Cardioid Instrument Microphone
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