AE2500 Dual-element Cardioid Instrument Microphone

The ultimate kick-drum mic, the Artist Elite AE2500 dual-element instrument microphone features cardioid condenser and dynamic capsules combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form multiple densities over the dynamic element’s side-entry ports, exercising precise control over the time at which off-axis signals arrive at the diaphragm. The condenser diaphragm is optimally tensioned and aged for long-term consistency and stability.

Revolutionary dual-element design represents a ground-breaking transducer achievement

Two elements (condenser and dynamic) are enclosed in a single housing

Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell

Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones

Robust design for enduring dependability on the road

Integral 80 Hz HPF switch and 10 dB pad on condenser element

Includes isolation clamp for shock protection, secure mounting and easy positioning

Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element

SPECIFICATIONS
ELEMENTS	Condenser, dynamic
POLAR PATTERN	Cardioid
FREQUENCY RESPONSE	20-17,000 Hz (condenser) 30-10,000 Hz (dynamic)
LOW FREQUENCY ROLL-OFF	80 Hz, 12 dB/octave (condenser)
OPEN CIRCUIT SENSITIVITY	-51 dB (2.8 mV) re 1V at 1 Pa (condenser) -54 dB (1.9 mV) re 1V at 1 Pa (dynamic)
IMPEDANCE	100 ohms (condenser) 600 ohms (dynamic)
MAXIMUM INPUT SOUND LEVEL	148 dB SPL, 1 kHz at 1% T.H.D. (condenser); 158 dB SPL, with 10 dB pad (nominal)
DYNAMIC RANGE (typical)	124 dB, 1 kHz at Max SPL (condenser)
SIGNAL-TO-NOISE RATIO	70 dB, 1 kHz at 1 Pa (condenser)
PHANTOM POWER REQUIREMENTS	11-52V DC, 3 mA typical (condenser)
SWITCHES	(Condenser Only) High-pass filter; 10 dB pad (nominal)
WEIGHT	13.8 oz (390 g)
DIMENSIONS	6.50" (165.0 mm) long, 2.17" (55.0 mm) maximum diameter
OUTPUT CONNECTOR	Integral 5-pin XLRM-type
CABLE	16.5' (5 m) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors
ACCESSORIES FURNISHED	AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
AUDIO-TECHNICA CASE STYLE	R8

SPECIFICATION GRAPHS
Click on the chart to view the larger image
	POLAR PATTERN CONDENSER
	POLAR PATTERN DYNAMIC
	FREQUENCY RESPONSE CONDENSER
	FREQUENCY RESPONSE DYNAMIC

WARRANTIES
U.S. Artist Elite® Five-Year Limited End-User Warranty

Conditions

AE2500 Dual-element Cardioid Instrument Microphone 4 5 1 1

Great addition to the kit Most audio engineers will reach for a Shure Beta 52A or an AKD D112, giving them a specific audio quality that each mic is known for. They are good mics, and that's why they're used around the world. But what if you want a sound quality to your kick drum that provides more mid-high frequency tonal definition, but still has the low-end punch either of these mics have? What if you want sonic options on the sound of your kick, but need to lay down tracks and move on? That's when I reach for my AE2500 kick mic. The dynamic element gives me excellent low-end definition without muddiness, and the condenser element gives me a response in the mid- to mid-high frequencies that help define a drum's characteristic. With this mic and the infinite blending of its two signals, I can shape the sound of a kick drum to meet the needs of the tune. Low, with a thud? No problem. Clear and open with low frequency punch? No problem. This mic, combined with a drummer who knows how to tune and muffle his kick drum, will give you any sound you want. I rated the "Ease of Use" with 3 stars because it takes some experimenting and finessing to understand the sonic qualities of each signal. October 20, 2011

1-1 of 1

(1 QuestionÂ :Â 1 Answer)