|ELEMENTS||Fixed-charge back plate, permanently polarized condenser|
|POLAR PATTERN||X/Y Stereo|
|FREQUENCY RESPONSE||100-17,000 Hz|
|OPEN CIRCUIT SENSITIVITY||-50 dB (3.1 mV) re 1V at 1 Pa|
|MAXIMUM INPUT SOUND LEVEL||119 dB SPL, 1 kHz at 1% T.H.D.|
|DYNAMIC RANGE (typical)||82 dB, 1 kHz at Max SPL|
|SIGNAL-TO-NOISE RATIO||57 dB, 1 kHz at 1 Pa|
|POWER REQUIREMENTS||2-10V DC plug-in power|
|BATTERY TYPE||1.5V LR44|
|BATTERY CURRENT / LIFE||0.6 mA / 200 hours typical|
|WEIGHT||3.9 oz (111 g)|
|DIMENSIONS||4.59" (116.5 mm) long,
0.83" (21.0 mm) maximum body diameter
|OUTPUT CONNECTOR||3.5 mm stereo mini plug on cable|
|CABLE||Permanently attached 6' (1.8 m) cable with 3.5 mm stereo plug at output end|
|ACCESSORIES FURNISHED||AT8405a stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; LR44 battery; windscreen; soft protective pouch|
|AUDIO-TECHNICA CASE STYLE||S10|
|Click on the chart to view the larger image|
Do you have questions about this product?
Get answers from real customers and in-house experts with AnswerBox.
Q:How can you use it with a mac?
A:Mac computers are LINE level rather than MIC level which is what you will need for microphones. You may use an external soundcard that will allow for microphones and MIC level.
Q:Will it plug into an iPhone?
A:You could use Griffin iMic with Apple's docking port to USB adapter. The iMic is a very small and neat preamp, which runs off the USB power. Note it has to be the proper Apple product not an imitation.
A:Thank yuou for your inquiry. This will not easily work. You will need an adapter for the iPhone and the only adpaters I know of are for mono microphones.
Q:Would the PRO 24 perform well as an ambiant sound mic?
A:Thank you for your inquiry, I would think this would be a good mic for that application.
Q:Would the Pro24 mic be good choice for a overhead drum mic?
A:The PRO-24 would not be my first choice in terms of over-head mic'ing for drums, especially because of the following:
Q:One mic or two?
A:Thank you for your inquiry. As for using 1 microphone or 2 would depend upon how you are setting up the session. if both the interviewer and the interviewee are in close proximity in a quiet environment then one microphone could be fine. Otherwise, 2 microphones would be desirable.