Audio-Technica’s AT4047MP delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers.
Three switchable polar patterns: cardioid, omnidirectional, figure-of-eight
Engineered to meet the critical acoustic requirements of professional recording, broadcast and sound reinforcement
Transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs
Exceptionally low self-noise, wide dynamic range and high SPL capability
Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone
Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
Vintage silver-matte finish on microphone and shock mount
Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections
Custom shock mount provides superior isolation
Integral 80 Hz high-pass filter switch and 10 dB pad switch
Certified by the METAlliance (Music Engineering and Technology Alliance)
SPECIFICATIONS
ELEMENT
Externally-polarized (DC bias) condenser
POLAR PATTERNS
Cardioid,
Omnidirectional,
Figure-of-eight
FREQUENCY RESPONSE
20-18,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
-42 dB (7.9 mV), re 1V at 1 Pa
IMPEDANCE
100 ohms
MAXIMUM INPUT SOUND LEVEL
155 dB SPL, 1 kHz at 1% T.H.D.;
165 dB SPL, with 10 dB pad (nominal)
NOISE
14 dB
DYNAMIC RANGE (typical)
141 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
80 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
48V DC, 3.4 mA typical
SWITCHES
Polar selection;
Flat, roll-off;
10 dB pad (nominal)
WEIGHT
524 g (18.5 oz)
DIMENSIONS
188.0 mm (7.40") long,
53.4 mm (2.10") maximum body diameter
OUTPUT CONNECTORS
Integral 3-pin XLRM-type
ACCESSORIES FURNISHED
AT8449/SV shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case
1Audio-Technica's AT4047MP delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone's transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers.
Having a home project studio on a budget, I scour magazine and on-line reviews thoroughly before plunking down my hard-earned coin on new gear purchases.
I have never for an instant regretted the purchase of the 4047MP.
With the multi-pattern capability of this mic, a pair was purchased for M/S recording, but single mic recordings have been a true pleasure with this mic as well.
With the 4047MP, I've recorded vocals, flutes, fiddles, acoustic guitar, accordion and have used the pair as overheads for drums.
What continually amazes me about this mic is it's ability to handle dynamics - all the while producing the silkiest high end.
From very soft (with low mic noise) to very loud (with no distortion), this mic sounds wonderful!
And the smooth top end requires no corrective EQ'ing like with other condenser mics.
If you have other FET's in your collection, even the "very expensive" variety, then you owe it to yourself to listen to the 4047MP.
If you don't have a quality FET in your mic locker yet, then the 4047MP is the one!
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