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AT2050 Specification Sheet
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AT2050 Multi-pattern Condenser Microphone
The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.- Three switchable polar patterns: omni, cardioid, figure-of-eight
- Switchable 80 Hz high-pass filter and 10 dB pad
- Large diaphragm for smooth, natural sound and low noise
- State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards
- Includes shock mount & protective pouch
| SPECIFICATIONS | |
|---|---|
| ELEMENT | Externally-polarized (DC bias) condenser |
| POLAR PATTERNS | Cardioid,
Omnidirectional, Figure-of-Eight |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | –42 dB (7.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 120 ohms |
| MAXIMUM INPUT SOUND LEVEL | 149 dB SPL, 1 kHz at 1% T.H.D.;
159 dB SPL, with 10 dB pad (nominal) |
| NOISE | 17 dB SPL |
| DYNAMIC RANGE (typical) | 132 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 77 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 4.7 mA typical |
| SWITCHES | Polar selection;
Flat, roll-off; 10 dB pad (nominal) |
| WEIGHT | 412 g (14.5 oz) |
| DIMENSIONS | 170.0 mm (6.69") long,
52.0 mm (2.05") maximum body diameter |
| OUTPUT CONNECTORS | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8458 shock mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R5 |
| SPECIFICATION GRAPHS | ||
|---|---|---|
| Click on the chart to view the larger image | ||
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Conditions
AT2050 Multi-pattern Condenser Microphone
Overall ratingÂ
Rating breakdown 1 review
5 Stars
1
4 Stars
0
3 Stars
0
2 Stars
0
1 Star
0
ReliabilityÂ
5
/
5
Audio QualityÂ
4
/
5
DurabilityÂ
5
/
5
Ease of UseÂ
5
/
5
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1
1
The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.<br/>Overall ratingÂ
Rating breakdown 1 review
5 Stars
1
4 Stars
0
3 Stars
0
2 Stars
0
1 Star
0
ReliabilityÂ
5
/
5
Audio QualityÂ
4
/
5
DurabilityÂ
5
/
5
Ease of UseÂ
5
/
5
Share this product
Product Reviews
Overall ratingÂ
Well Designed Multi-Pattern Condenser
PostedNovember 25, 2011
from Central New York
Environment:Other
Expertise:Intermediate
How Long:Less than a month
ReliabilityÂ
5
/
5
Audio QualityÂ
4
/
5
DurabilityÂ
5
/
5
Ease of UseÂ
5
/
5
This microphone meets the expected versatily of a multi-pattern microphone with a sound quality that can be compared to its higher cost counterpart. Polar pattern, low-cut, and pad setting on this microphone can be changed easily without using a tool, and it fits nicely on its shockmount.
Pros Vocals, Ambience
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(2 Questions : 3 Answers)
Product Q&A
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looking for position and direction of mic
a colleague says to mic the pianos with the head of the mic not pointing down but pointing sideways
i said it should be pointing down, the mic technique directions suggest I am right
a colleague says to mic the pianos with the head of the mic not pointing down but pointing sideways
i said it should be pointing down, the mic technique directions suggest I am right
Age:Â 55-65
User Type:Â Live Sound
Experience:Â Amateur
3 months, 3 weeks ago
Answers
Answer:Â
My suggestion is to mic the piano at full stick with the two AT2050 set to a cardiod pattern. Keep in mind that the AT2050 are side address mics, so the active sides should point toward the piano. Place the mics on stands about 4-5 feet away from piano in a near-coincident position at a height that would bisect the opening of the piano lid.You can also place mics on opposite sides of the piano, directly across from each other and at a height that is similar to the pianist's height when playing. Try it with the Omni pattern and moved the mics until the sound is almost exactly as what the Pianist hears. This should be done in full stick as well. A bit more difficult and time consuming to do, but the result might surprise you.
Age:Â 45-54
User Type:Â Other
Experience:Â Pro
2 months, 2 weeks ago
Answer:Â
Thank you for your inquiry. With the microphones in cardioid pattern, the front of the mcrophones should be point downward toward the hammers. If using 2 microphone place one mic to cover low side and one the high side.Age:Â 45-54
Experience:Â Pro
3 months, 3 weeks ago
by
Stow, OH
Additional information about AudioSolutionsManager could not be loaded.
Trying to use my at2050 mic with Cubase LE5, it sounds beautiful, however, its only producing sound via left side or the right side, depending on what channel it plugged into. Is there anyway I can create a stereo output? I've tried everything I could think of from panning to the right to setting the output to the right side when its on the left and vise versa.
Age:Â 18-24
User Type:Â Studio
Experience:Â Amateur
2 weeks ago
Answers
Answer:Â
Thank you for your inquiry. The AT2050 is a mono microphone. You cannot produce a stereo image with this microphone.Age:Â 45-54
Experience:Â Pro
1 week, 4 days ago
by
Stow, OH
Additional information about AudioSolutionsManager could not be loaded.
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AT2050 : Multi-pattern Condenser Microphone
AT2050 Multi-Pattern Condenser Microphone
